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Philip Sidney and the Extreme (Dis)Graces of the Parenthesis
Erasmus called them “little moons” and George Puttenham praised them as “figures of tolerable disorder” (if used not too often “nor too thick”). For Philip Sidney, they were simply indispensable. Florence Hazrat introduces us to the uncontested early modern king of brackets and to his romance Arcadia, which abruptly ends, like its author’s life, hanging on a parenthesis.
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