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A24’s Problemista is a surreal fairy tale about finding the people who truly see you
With Problemista, writer / director Julio Torres is at the height of his powers.
Through both Katie Byron’s impeccably offbeat production design and voiceover narration from Isabella Rossellini, Problemista clues you into how, more than being a simple chronicle of Alejandro’s journey to America, it’s really a kind of fairy tale about a profoundly sensitive and sheltered man discovering what it means to chase one’s passions. Though Problemista ’s flights of fancy bring a levity to the film, their strength lies in how powerfully they illustrate the more complex, serious ideas Torres is exploring with his script, like the ways in which the US’s visa system makes it extraordinarily difficult for immigrants to build new lives and thrive in the country. Problemista quietly weaves many of its narrative threads together in clever ways — Elizabeth is the cave-dwelling monster who haunts Dolores’ dreams, for example, and the critic’s power to will things into existence (by bullying people) reminds Alejandro of his mother’s knack for translating rough sketches into three-dimensional works of art.
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