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The Book of Kells, now digitized and available online


If you know nothing else about medieval European illuminated manuscripts, you surely know the Book of Kells. “One of Ireland’s greatest cultural treasures” comments Medievalists.net, “it is set apart from other manuscripts of the same period by the quality of its artwork and the sheer number of illustrations that run throughout the 680 pages of the book.” The work not only attracts scholars, but almost a million visitors to Dublin every year. “You simply can’t travel to the capital of Ireland,” writes Book Riot’s Erika Harlitz-Kern, “without the Book of Kells being mentioned.

But while the Book of Kells is still a mod­ern “sym­bol of Irish­ness,” it was made with mate­ri­als and tech­niques that fell out of use sev­er­al hun­dred years ago, and that were once spread far and wide across Europe, the Mid­dle East, and North Africa. In the video above, Trin­i­ty Col­lege Library con­ser­va­tor John Gillis shows us how the man­u­script was made using meth­ods that date back to the “devel­op­ment of the codex, or the book form.” This includes the use of parch­ment, in this case calf skin, a mate­r­i­al that remem­bers the anatom­i­cal fea­tures of the ani­mals from which it came, with mark­ings where tails, spines, and legs used to be. Thir­ty folios of the orig­i­nal man­u­script have been lost through the cen­turies and the edges of the exist­ing man­u­script were severe­ly trimmed dur­ing a rebind­ing in the nine­teenth cen­tu­ry.” It remains, nonethe­less, one of the most impres­sive arti­facts to come from the age of the illu­mi­nat­ed man­u­script, “described by some,” says Moss and Ryan, “as the most famous man­u­script in the world.” Find out why by see­ing it (vir­tu­al­ly) for your­self and learn­ing about it from the experts above.

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