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Umberto Eco's List of the 14 Common Features of Fascism


Creative Commons image by Rob Bogaerts, via the National Archives in Holland One of the key questions facing both journalists and loyal oppositions these days is how do we stay honest as euphemisms and trivializations take over the discourse?

The term, after all, devolved decades after World War II into the trite expres­sion fas­cist pig, writes Umber­to Eco in his 1995 essay “ Ur-Fas­cism,” “used by Amer­i­can rad­i­cals thir­ty years lat­er to refer to a cop who did not approve of their smok­ing habits.” In the for­ties, on the oth­er hand, the fight against fas­cism was a “moral duty for every good Amer­i­can.” (And every good Eng­lish­man and French par­ti­san, he might have added.) Con­trary to com­mon opin­ion, fas­cism in Italy had no spe­cial phi­los­o­phy.” It did, how­ev­er, have style, “a way of dressing—far more influ­en­tial, with its black shirts, than Armani, Benet­ton, or Ver­sace would ever be.” The dark humor of the com­ment indi­cates a crit­i­cal con­sen­sus about fas­cism. “There is in our future a TV or Inter­net pop­ulism, in which the emo­tion­al response of a select­ed group of cit­i­zens can be pre­sent­ed and accept­ed as the Voice of the Peo­ple.” Ur-Fas­cism speaks Newspeak.

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